Black Poems Essay

In the past during politically-sanctioned racial segregation being dark implied you missed out in numerous benefits it additionally demonstrated how individuals of color where persecuted. In this sonnet we see that Mbongeni Khumalo utilizes the word dark in association with all the awful things. He features that there is this dimness related with the shading dark and that in the 1960’s when somebody considered you an individual of color it demonstrated no good thing and that nobody ought to be glad for being dark. He additionally takes a gander at all the words that start with â€Å"black† and on the off chance that one looks profound into them, at that point we see that there’s a more profound significance to that specific word and that it has got something to do with wrong doing or awful happenings. The main line of the sonnet peruses â€Å"you don’t need a BLACK-BELT to compose blackpoems†, in the event that one glances at this line and investigate it, at that point we see that he says that one doesn’t need a dark belt to compose dark sonnet and the manner in which it is composed from the little letter toward the start of the sentence to the to the dark belt in a major textual style and dark sonnets as single word this shows as an individual of color nobody truly focused on the lingual authority of the sonnet. â€Å"B/LACK† when one ganders at this word and the manner in which it has been composed then you can decipher it as be need, as though he’s attempting to call attention to that when you are dark you need something. He further one uses the word â€Å"prac-teasing† and as opposed to composing rehearsing he utilizes the prodding indicating that he was segregated for deriding dark craftsmanship yet in his own correct one can contend that he was not taunting it yet simply featuring the focuses that were valid and that some time ago whatever was finished by an individual of color was simply done and not paid attention to, an individual of color could just go so far with their specialty. â€Å"Trampling my so(u)l/e/† the manner in which he has decided to separate the word soul such that one can say he is stomping on the word himself and he additionally includes a â€Å"e† toward the end which shows that he can do anything to this sonnet since it is a dark sonnet. â€Å"Served wieners produced using minced pork and call(ed) it BLACK PUDDING† one can say that it was called dark pudding in light of the fact that operating at a profit culture the main time that the families ate pudding which comprised of custard and organic product was during Christmas in any case individuals of color consistently ate with meat he could likewise have been alluding to himself as the odd one out on the grounds that he didn't eat meat and all things considered being dark and not eating meat implied that you were an alternate sort of individual of color and along these lines you were out casted and you were an odd one out. â€Å"I endured a BLACK DEATH because of a BLACK GUARD†, what the essayist brings out in this line is the manner by which individuals of color despite everything murdered each other paying little heed to the way that they were completely mistreated by similar individuals for a similar explanation. The gatekeepers were likewise supposed to be young doggies for the oppressors so the hit on them could be lighter and that they could save them their lives. So it shows that individuals of color were likewise betrayed one another and murdered each other just so they can hold their own end. The language that he has decided to utilize is basic yet the was in which he has separated his words and put them in way that one could obviously observe the point he is attempting to make about dark sonnets. As one carries on to peruse this sonnet you could state this is definitely not a dark sonnet yet a sonnet about individuals of color. He utilizes a fun loving tone and yet the manner in which he focuses on certain words to show his point and the twofold implications behind them. He likewise utilized the words to show what was going on in that an ideal opportunity to individuals of color attempting to pass on the light of mindfulness with the goal that individuals could quit being gullible and really know how things were done in that time. He draws in the peruser by his title which is â€Å"BLAK POWEMS† which shows the manner in which he composed it as though he were a really saying it in a Bantu intonation, so he decided to compose it the manner in which he would state it in light of the fact that nobody truly gave close consideration to the word usage and the style of the manner in which dark writers composed their sonnets since it generally wound up being individuals of color perusing every others sonnets. The manner in which this sonnet has been composed it shows well that it is fight sonnet in such a sense as when one ganders at the lingual authority utilized in this sonnet and the style of composing that the writer has decided to utilize. He plays with affiliations encompassing obscurity to put his point across of how darkness is related with bas things and for this situation especially, thinking back to the 1960’s during times of dark abuse and politically-sanctioned racial segregation. The tone of this sonnet is in a fun loving however legitimate way, not brutal but rather it keeps one captivated that there could be such a significant number of things related with the shading dark that speak to a darker side of life and the writer works admirably of bringing them out and furthermore featuring them. This sonnet makes the peruser see the issues that the past could add on to a basic expression or word. The word dark in this sonnet has been isolated and put on a range whereby we would all be able to see the negatives that could and that are encompassing this single word specifically. The writer has likewise made us consider how history played out and he did this not by composing that in the 1960’s this is the thing that occurred however he utilized words that show or feature the headliners of the 60’s.

Risk management practices at HSBC Dissertation

Hazard the executives rehearses at HSBC - Dissertation Example The paper advises that overseeing dangers is vital to the general methodology of banks yet banks neglect to oversee dangers. A few ongoing occurrences and occasions have driven banks to perceive that they are presented to critical dangers separated from the customary credit and market dangers. Researchers distinguish a positive connection between hazard the board works on, getting hazard, chance recognizable proof, chance evaluation and investigation, chance checking and credit chance examination. While numerous banks fizzled, HSBC is one of the main banks that have had the option to support the budgetary downturn and still look after benefits. It would be of enormous incentive to the budgetary segment and especially to the banks in the rising economies to examine into the methodologies that HSBC embraced to suit the changing business condition. With the intend to explore how HSBC oversees chances in light of a legitimate concern for every one of its partners, four goals were set in Chapter I. All the destinations have been accomplished. The examination finds that HSBC has a strong methodology set up to oversee dangers. They adopt a wary strategy, train their business directors, have enhanced portfolios with hazard reviewed items, center around developing markets, instruct their customers and keep up sufficient interior control systems. Above all, their universal methodology causes them continue the outside condition. Every one of their measures start much before the occasion or the emergency which makes it simpler for them to deal with the dangers. They utilize the most recent innovation and programming in the entirety of their procedures. HSBC oversees dangers both through hazard conglomeration and hazard deterioration. They think about hazard as a chance and in light of the fact that they can oversee chances better, they can convey investor esteem. These elements have caused them to rise effectively in tempestuous occasions. The investigation finished up wit h suggestions for additional regions for look into. List of chapters Chapter I: Introduction 1.1 Background 1 1.2 Rationale for study 3 1.3 Research Aims and Objectives 5 1.4 Structure of the examination 5 1.5 Limitations to the investigation 6 1.6 Chapter Summary 7 Chapter II: Literature Review 2.1 Chapter Overview 8 2.2 Definition and the idea of dangers 8 2.3 Importance of hazard the executives 9 2.4 Types of dangers and the hypothetical system applied by banks 11 2.5 Why banks neglect to oversee dangers 21 2.6 Risk the board methodologies received by banks 21 2.7 Mitigation of dangers 23 2.8 Chapter Summary 24 Chapter III: Methodology 3.1 Chapter Overview 26 3.2 Introduction 26 3.3 Data and sources 27 3.4 Justification for optional information 27 3.5 Sample 28 3.6 Theoretical structure for the examination 29 3.7 Hypotheses of the examination 30 3.8 Data investigation 30 3.9 Reliability and legitimacy 31 3.10 Ethical concerns 31 3.11 Chapter Summary 31 Chapter IV: Findings 4.1 Ch apter Overview 32 4.2 Presentation of Results 32 4.2.1 The UK banking area 32 4.2.2 HSBC †diagram 33 4.2.3 HSBC Strategy for chance administration 33 4.2.4 Hypotheses 38 4.3 Analysis of Results 43 4.4 Chapter Summary 49 Chapter V: Conclusion and Recommendations 5.1 Conclusion 50 5.2 Recommendations for additional exploration 53 5.3 Learning result 53 References 55 Appendix 59 Tables and Figures Figure 2.1 Risk Architecture 17 Figure 4.1 Enterprise-wise hazard the executives 35 Figure 4.2 Impaired advances to Gross Adnaces 38 Figure 4.3 Industry-wise credit chance 39 Figure 4.4 Credit Risk Profile 41 Chapter I: Introduction 1.1 Background Commercial banking identifies with a few exercises, for example, giving items and administrations to the client, taking part in money related intermediation and in the executives of dangers (Sensarma and Jayadev, 2009). Banks have of late been revealing of troubles looked by them however the dangers taken by the banks have expanded (Dedman and Robert-Tissot, 2001). For example, the Asian money related emergency influenced the exhibition of the area and prompted a financial downturn that affected the monetary foundations around the world (Odit, Dookhan and Marilyn, 2011). Following the 2008 money related emergency, the banks responded quickly to their capital structure concerning

Americans with Disabilities Act Term Paper Example | Topics and Well Written Essays - 1250 words

Americans with Disabilities Act - Term Paper Example Holding work is critical for those with mental incapacities on the grounds that the advantages of business are not feasible through some other movement alone. Late designs for improving business results for individuals with serious psychological maladjustments have both practice and approach suggestions. For instance, bolstered work is a proof based practice (EBT) that tends to the business arrangements of Title I of the American with Disabilities Act (ADA). The ADA is normally erroneously connected with the security restricted uniquely to people with physical incapacities. In light of the circumstance, the EEOC gave the Enforcement Guidance on the ADA and Psychiatric Disabilities on how the work arrangements of the ADA apply to people with mental inabilities. Subsequently, from the basic point of view, the ADA gives satisfactory non-oppressive insurance to people with mental inabilities and its essential aim isn't to give unlimited assurances to individuals with mental handicaps but instead to guarantee that people with these incapacities don't persevere through shameful separation in the work environment. The ADA is planned explicitly with t... ADA TITLE I PROHIBITING EMPLOYMENT DISCRIMINATION The ADA is planned explicitly with two fundamental purposes: (a) to fuse people with handicaps into the standard of American culture and (b) to secure them against inability coordinated separation (Peterson and Aguiar, 2004). Among its five areas, Title I guarantees equivalent access to business openings including recruiting, work preparing, advancement, or the release procedure for qualified people with a handicap who are working in private division work environments with at least 15 representatives. In spite of the fact that enactment had tended to segregation in work dependent on incapacity in the open area (e.g., Section 501, 503, and 504 of the Rehabilitation Act of 1973), Title I in the ADA incorporates private division business and has progressively point by point terms and procedural rules. Terms incorporate fundamental elements of the activity, sensible convenience, undue hardship, and procedural rules as to the request for employment process, legally binding connections, and requirement of Title I (Rubin and Roessler, 2001). Basic elements of the activity are basic for fulfilling the ADA definition for qualified people with incapacity with or without sensible settlement. To justify ADA security under the ADA, an individual needs to demonstrate that their incapacity fits the ADA's meaning of inability and that the person in question has the mastery or capacity to play out the basic elements of the activity. Basic capacities incorporate imperative aptitude, experience, training, and other jobrelated prerequisites of the business position that such an individual holds or wants, and who, with or wi thout sensible convenience, can play out the fundamental elements of such position

The Gender Transformation of Caesar - Literature Essay Samples

Shakespeares Julius Caesar opens with the concurrent celebrations of Caesars defeat of Pompey and the annual fertility festival of Lupercal. The coupling of the two historically separate events each celebrating distinct gender roles dramatically highlights the importance of gender characterization. Romes patriarchal society demands a leader who embodies the virile spirit of the state with leadership marked by strength, courage, and constancy. Caesar quite fittingly assumes this role as he returns valiant and victorious from the battlefields; thus, in order to remove him the strong ruler of Rome, Caesars enemies must retrench his masculinity. Roman society considers women as the embodiment of weaknesses, thinking that their physical, mental, and political inferiority make them of little use beyond reproductive purposes, explaining why aspirants to the throne feminize the identity of the masculine warrior figure to position him as unfit for the crown. The portrayal of the two female ch aracters of the novel, Portia and Calphurnia, captures the prevailing stereotypical perceptions of women. Caesars wife, Calphurnia, demonstrates womens predisposition towards fearfulness and superstition when she pleads with Caesar to remain at home after dreaming that a statue made in the likeness was Cesar pouring forth blood. Calphurnia establishes the sentiment that fear is a feminine trait with her entreaty to Caesar asking him to use her anxiety as an alibi, saying, Do not go forth today. Call it my fear. (2.2.50). Caesar agrees to this arrangement temporarily with a veiled acknowledgment of the reality- a rhetorical question relating to the fact that he is afeard to tell the graybeards the truth (2.2.67). Caesar then immediately displays his weak resolution when Decius easily persuades him to reverse his earlier decision, and he proceeds to greet the senators, demonstrating another hazardous trait associated with women, inconstancy. Portia similarly behaves in accession with the low expectation of women and demonstrates how weak a thing/ The heart of woman is! (2.4.40). She proves herself untrustworthy and reveals to Lucius Brutus involvement in the conspiracy because is overcome with fear. Caesar suffers a great insult through his association with the weak will of woman because in Roman society masculinity is the gauge of Roman worthiness. Cassius undertakes a dual strategy in rendering Caesar unfit for the position. By listing moments of weakness in Caesars past which illustrate his feminine tendencies, Cassius systematically dismantles the virility of a figure who should be the embodiment of the Roman ideals of masculinity, but he simultaneously seeks to tag Caesar as an immovable, tyrannical leader to provide a solid moral rationale behind the conspiracy. Cassius revelations underscore the question of how [a] man of such feeble temper should/ So get the start of the majestic world (1.2.129-130). Cassius rescues him from drowning when Caesar cries He lp me, Cassius or I sink!' (1.2.111). Similarly, Cassius reveals how Caesar cries for water as a sick girl (1.2.128). Continuing this attack, Cassius tells of how Caesar, like a woman, is superstitious grown of late (2.1.195). Ultimately, Caesars vulnerability becomes fully realized through Cassius projections because they provide the impetus for Brutus to join the cause. Providing further contrast to the complaint of Caesars strong, inflexible leadership are the physical imperfections which the conspirators exploit as signifiers of feminine weakness. Caesars physical imperfections include the possibility that he is deaf in one ear (1.2.213) because he must turn his head to hear someone speak (1.2.17). Compounding this defect, Caesar is also subject to epileptic fits. Caesar adds credibility to claims questioning his fitness for leadership by faltering at the very moment that he is to receive the crown (1.2.247-254). Brutus comment Tis like he hath the falling-sickness both literall y and figuratively foreshadows the progressive devolution of Caesars masculinity which ultimately culminates in his bloody death. Caesars death is wrought with imagery of blood and tears that parallels a birthing process in which the mothers life becomes a sacrifice for the survival of the child. Perhaps in death Caesar is able to create a new Rome, lending an interesting twist to the competition over leadership of this new state between his sons Brutus and Anthony. Antonys prediction that Domestic fury and fierce civil strive/ Shall cumber all part of Italy' announces that Caesars murder threatens disruption of the motherland of Rome (3.1.263-264). Because the woman is the ruler of the domestic realm the use of the word domestic inadvertently places the Caesar in a feminine role. Caesar is symbolically the highest authority of a feminine entity, considering that Rome is classified as a feminine noun. Conjuring up further domestic imagery is Antonys comment that mothers shall but sm ile when they behold/ Their infants quartered with the hands of war (3.1. 267-68). Perhaps by placing Caesar in an unconventional mother-like role, Shakespeare allows for him to conceive the children that his infertile wife, Calphurnia, is never able to, thus, allowing for the full realization of Lupercal, the event that symbolically opens the play. In Calphurnias foreboding dream of Caesars statue, Which, like a fountain with an hundred spouts, / Did run pure blood, and many lusty Romans/ Came smiling and did bathe their hands in it (2.2.76-79), Caesar becomes a nursing mother as his, suggesting that Caesar provides mother-like lifeblood to his country in his death, reaffirming Decius earlier interpretation of Calphurnias dream that from you [Caesar] Rome shall suck/ Reviving blood (2.2.87). A variation of the notion of Caesar as a reproductive figure is the notable parallel between the bloody images used to discuss Caesars body and the menstrual of women. The phrases all the while ran blood (3.2.191) and bleeding business (3.1.168) accompanying this discussion create a distorted image of the reproductive cycle. Assuming that Caesar does achieve a mutated form of reproduction, Shakespeare fittingly develops a bizarre and twisted characterization of sexuality. Caesar becomes further feminized when his figure no longer is that of an ideal valiant warrior which inspires men; rather the feminine vulnerability of his wounded stirs feeling of pity. Brutus comment Had I as many eyes as thou hast wounds/ Weeping as fast as they stream forth thy blood (3.1.200-01) relates the transformation of a world recently clad with armory and weapons to state reduced tears. Caesar becomes like a woman who has been completely violated by ruthless hunters who requires a strong male-like figure to vindicate the injustice which has been done to her [him]. Calphurnias earlier use of the phrase lusty Romans adds a sexualized dimension to the regicide, allowing for the possibility that the hunters metaphorically rape Caesar. As the men ritualistically cover themselves with Caesars blood it as if they are celebrating the success of the hunt. Antony condemns the conspirators as predatory and bestial hunters and creates the image of a victimized Caesar, saying Villians! You did not so, when your vile daggersHacked one another in the sides of CaesarYou showed your teeth like apes, and fawned likehounds (5.1.39-43).Caesars corpse stirs pity in the hearts of his oppressors, a far cry from the tyrannical leader framed by his accusers. In Antonys glorification of the corpse of Caesar, Caesar has been truly reduced to a feminine state. He requires a man to plead his case with society, and the strong figure is accessible and needs the support of the fickle masses. Show you sweet Caesars wounds, poor poor dumb mouths,And bid them speak for me. But were I Brutus, and Brutus Antony, there were an AntonyWould ruffle up your spirits, and put a tongueIn every wound of Caesar that should move The Stones of Rome to rise in mutiny. (3.2.227-232) Calphurnia whose warning goes unheeded by Caesar demonstrates the impotency of a womans voice. In death Caesars voice, like that of a woman, is no longer heard, and his violated body projects the image mouths which are objects serving as symbols of female sexuality to which Antonys reference to tongues gives additional sexual implications. It is the tongue and mouth that serve as the initial sight of contact when kissing occurs. The sexuality of this image brings further strength to the previous parallel made between the reproductive process and Caesars death. The transformation of Caesar from a figure of male potency to one of feminine weakness creates a complicated and distorted message of sexuality. Traits become no longer inherently masculine or feminine because the ultimate fate of Caesar merges weakness and strength. The strange paradox of the play is how wounds, a traditionally feminine sign of vulnerability, ul timately become equated with masculinity. Portias decision to voluntarily wound herself demonstrates the awe and admiration which wounds can inspire in the masculine sphere; it is after seeing her self inflicted wounds that Brutus discloses to her the secret plans of the conspiracy. Similarly, it is through his wounds that Caesar is able to eventually to win vindication for his death because they move the crowd to action against the conspirators, allowing for leadership through injury. The sword symbolically represents a phallic-like sign of vitality which leads to the retransformation of Caesar into a figure of masculinity. Brutus acknowledges, O Julius Caesar, though art mightly yet/ Thy spirit walks abroad and turns our swords/ In our own proper entrails (5.3.94-96). The sword that causes Caesars fatal wounds serves as the instrument that brings an end to Cassius and Brutus. Cassius proclaims in his death Guide thou the sword- Caesar, thou art revenged, /Eve with the sword that k illed thee (5.3.45-46). This conclusion of ultimate victory of the masculine spirit seems the only fitting outcome for Shakespeare to engineer if his play is to be a true reflection of Roman culture. Women hold value only in terms of the services that the provide which advance the interests of the masculine community, and in this case, the conspirators needed grounds to render Caesar inadequate for his position and feminizing him provides a useful mechanism in doing so. The retransformation of Caesar solidifies itself in Octavious declaration to the world that This was a man!, (5.5.75) reinforcing the notion that the masculine spirit will prevail in Roman society.

The Health Information Management Department - 989 Words

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However, there was a strict rule in place by the vendor that a manager must always be present for their entire shift, unless approved as time off. On the day of the incident in this case study, this manager was absent from the department. The other manager for the vendor worked on a different floor of the hospital, managing a different team that was part of the department, and always stayed for the entirety of her shift, unless she had a day off. 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Management Strategies For Depressed Teenagers - 1729 Words

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With 84% of all pediatric surgical procedures performed on an outpatient basis, the importanceRead MoreEvaluation Of The Wicomico County Health Department Behavioral Health Program1710 Words   |  7 Pagesable to communicate as well as present in a culturally sensitive/competent manner towards staffs, colleague and clients. Example, I do not try to impose my beliefs on others at the agency. In addition, while working with the LGBTQ population or teenagers who are disrespectful to their parents, I do not try to impose my opinion on them. I only educate as well as empower them as a way to show support, because my awareness of the diversity in culture helps me handle situations in a non-judgmental manner

Othello (1528 words) Essay Example For Students

Othello (1528 words) Essay On a recent episode of House, a popular television show, a competitive bicyclist was admitted to the hospital after having a close encounter with death. The doctors completed examination after examination until they concluded that the patient?s illness was the result of his use of illegal paraphernalia. At this point, the doctors had to make a moral decision as to whether or not to report their patient on the basis of his cheating. On one hand, the patient was worshiped by children and his reputation would be ruined if he were to be turned in. Dr. Allison Cameron believed that the patient deserved to be turned in and that the children who worshiped him deserved to know the truth about the patient. She said that the patient ?isn?t who he says he is.? However, Dr. James Wilson questioned, ?Who cares who he says he is In today?s society, just as there was in the House episode, there is a disconnect between appearance and reality. A person?s appearance, how an individual is described fro m what can be seen on the outside, may be far from reality, or what is on the inside. The theme of appearance versus reality, however, is far from being something that has just appeared in recent years. In fact, this theme is present in many of William Shakespeare?s works, specifically Othello, which date back to the late 1500?s and the early 1600?s. The first instance in which the theme of appearance versus reality appears is with Othello. Othello appears to be loved and respected by his peers. And even though most of his peers describe him as the ?valiant Moor?, ?valiant Othello? or the ?brave Moor?, some characters do not truly see Othello as described (Shakespeare I,iii,47-48; I,iii,288). For instance, Iago?s statement of ?I hate the Moor? clearly demonstrates how some characters show abhorrence toward Othello (Shakespeare I,iii,350). Also, during the initial acts of the play, Othello is portrayed as a strong and confident character. However, all of the allegations that Iago mak es about Desdemona being unfaithful to Othello quickly breaks Othello down and he becomes easily ?driven to jealousy? (McCulloch 77). Othello is also socially insecure, which may be attributed to him being a black man in a white man?s world. Not to mention, he is a black man in a high ranking position that requires him to give orders to white men. Additionally, Othello appears to be one who is calm and has self control, even under the most difficult of circumstances. But, Othello turns to rage and revenge in the final acts of the play. In fact, Othello, who had never struck Desdemona before, strikes her during one of their conversations and, on many other occasions, raises his voice at Desdemona. These actions, which are far from the actions of a calm and collected man, surprises other characters, including Lodovicio who makes the following comment: Is this the noble Moor, whom our fill senateCall all in all sufficient? Is this the natureWhom passion could not shake, whose solid vir tueThe shot of accident nor dart of chanceCould neither graze nor pierce? (Shakespeare IV,i,249-253)Othello is not the character that others thought he was. Another instance in which the theme of appearance versus reality appears is within Othello and Desdemona?s relationship. According to Cahn, the love between Othello and Desdemona, the foundation of the story, is itself based on illusion (17). When Othello is describing to Brabantio how Desdemona fell in love with Othello, he makes the following comment:My story being done,She gave my story for my pains a world of sighs. She swore, in faith, ?twas strange, ?twas passing strange,?Twas pitiful, ?twas wondrous pitiful. She wished she had not heard it, yet she wishedThat Heaven made her such a man. (Shakespeare I,iii,157-162)Desdemona, being wooed by the ?hero at the core of this story? and the story of his life, is not in love with, but is infatuated with Othello (Cahn 17). ?She does not know Othello as a man, but only as a fantasy figure? (Cahn 17). In essence, Desdemona is in love with the heroic actions and noble deeds of Othello rather than his inner being, his character, and his personality. Similarly, Othello is not in love with Desdemona as a person, but is in love with Desdemona because of an attitude that Desdemona has shown toward Othello and the respect that she gives him. Othello says that ?She loved me for the dangers I had passed,/And I loved her that she did pity them? (Shakespeare I,iii,166-167). He ?is in love with Desdemona because she has shown him such passion? (Cahn 17). Although Othello as a character and the relationship he had with Desdemona are both good examples of how the theme of appearance versus reality appears in Othello, the prime example of this theme is Iago. All characters in Othello believe that Iago is a sincere, honest and trustworthy character. Othello, when talking about Iago, says, ?A man he is of honesty and trust? and again Othello says, ?I know, Iago, thy honesty and love? (Shakespeare I,iii,281; II,iii,225). Cassio refers to Iago as ?honest Iago? and, when speaking of Iago, states, ?I never knew a Florentine more kind and honest? (Shakespeare II,iii,300; III,i,38). Even Desdemona says ?O, that?s an honest fellow? when referring to Iago (Shakespeare III,iii,5). Roderigo is under the impression that Iago simply wants to help him in his pursuit of Desdemona and, therefore, entrusts his money in the hands of Iago. Perhaps these characters hold these views of Iago because that is how he projects himself. Or perhaps these characters hold these views of Iago because of his good reputation. ?How can anyone set up a reputation of honesty ex cept by being consistently honest over a long period of time (McCulloch 78) They have no reason to distrust a man that declares that ?I am an honest man? (Shakespeare II,iii,244). However, this fa?ade of honesty, trustworthiness and sincerity masks Iago?s evil intentions and his manipulative and deceitful ways (Appearance). In one of his soliloquies Iago proclaims that ?I am not who I am? and on another occasion asks, ?What?s he then that says I play the villain (Shakespeare I,i,65; II,ii,301) Iago believes in cheating and lying for gain and is concerned only about himself (McCulloch 78). The one who others thought was trustworthy mocks those, specifically Othello, who are willing to trust anybody that appears trustworthy, which is demonstrated by the following comment: The Moor is of a free and open natureThat thinks men honest that but seem to be so,And will as tenderly be led by the noseAs asses are. (Shakespeare I,iii,379-383) Additionally, Iago openly tells the audience that he will create a plan that will cause Desdemona to ?make the net that will enmesh them all? (Shakespeare II,iii,326). He even tells Roderigo that he ?hates the Moor? (Shakespeare I,iii,366). Instead of using Roderigo?s money in order to assist him in his pursuit of Desdemona as Iago told him he would, Iago hoards Roderigo?s money. Othello is tricked into believing that Desdemona is having an affair without having any concrete evidence. Even still, Iago runs Cassio out of his position by claiming that Cassio was involved with Desdemona and is the mastermind behind the plot of Roderigo stabbing Cassio. These are not things that a sincere, honest, and trustworthy man would say or do. And it is because of this, that when Iago?s peers find out the truth of his plot and thus his character, his peers no longer associate Iago with ?honest? and ?kind?, but with a ?Spartan dog?, an ?inhuman dog!? and even a ?viper? (Shakespeare V,ii,360;V,I,62; V,ii,284). .ub7607a9ab7fb786cfc4c1201e540f17b , .ub7607a9ab7fb786cfc4c1201e540f17b .postImageUrl , .ub7607a9ab7fb786cfc4c1201e540f17b .centered-text-area { min-height: 80px; position: relative; } .ub7607a9ab7fb786cfc4c1201e540f17b , .ub7607a9ab7fb786cfc4c1201e540f17b:hover , .ub7607a9ab7fb786cfc4c1201e540f17b:visited , .ub7607a9ab7fb786cfc4c1201e540f17b:active { border:0!important; } .ub7607a9ab7fb786cfc4c1201e540f17b .clearfix:after { content: ""; display: table; clear: both; } .ub7607a9ab7fb786cfc4c1201e540f17b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ub7607a9ab7fb786cfc4c1201e540f17b:active , .ub7607a9ab7fb786cfc4c1201e540f17b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ub7607a9ab7fb786cfc4c1201e540f17b .centered-text-area { width: 100%; position: relative ; } .ub7607a9ab7fb786cfc4c1201e540f17b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ub7607a9ab7fb786cfc4c1201e540f17b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ub7607a9ab7fb786cfc4c1201e540f17b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ub7607a9ab7fb786cfc4c1201e540f17b:hover .ctaButton { background-color: #34495E!important; } .ub7607a9ab7fb786cfc4c1201e540f17b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ub7607a9ab7fb786cfc4c1201e540f17b .ub7607a9ab7fb786cfc4c1201e540f17b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ub7607a9ab7fb786cfc4c1201e540f17b:after { content: ""; display: block; clear: both; } READ: Articles Of Confederation (527 words) EssayNiccolo Machiavelli once said that ?For the great majority of mankind are satisfied with appearance, as though they were realities and are more often influenced by things that seem than by those that are? This quote sums up the recurring theme that can be found throughout Shakespeare?s play Othello- appearance versus reality. The theme can be found with Othello the character, within Othello and Desdemona?s relationship, and with Iago. The disconnect between appearance and reality causes a discrepancy between what seems to be and what actually is. It is appearances that often disguise reality and just as Aesop once said, ?Appearanc es are often deceiving.? Works CitedAppearance and Reality in Othello. Term Papers Lab. 30 Dec 2008 http://www.termpaperslab.com/term-papers/Appearance-Reality-Othello/55653.html. Cahn, Victor I.. The Plays of Shakespeare A Thematic Guide. Westport, CT: Greenwood Press, 2001. McCulloch, Helen, and Gary K. Carey. Cliff Notes Shakespeares Othello. Foster City, CA: IDG Books Worldwide, Inc., 2000. Shakespeare, William . Othello, the Moor of Venice. Perrines Literature: Structure, Sound, and Sense, Ninth Edition. Thomas R. Arp/ Greg Johnson. Boston: Thomson Wadsworth, 2006.